Samuel Fallon
Associate Professor
Welles 221
(585)245-5374
fallon@geneseo.edu
Sam Fallon received his Ph.D. from Yale University in 2015 and joined the µÚÒ»³Ô¹ÏÍø faculty in 2018. His research focuses on early modern literature, especially poetry and prose from Spenser to Milton.
His first book,Ìý(Penn Press, 2019), charted the rise, in the last decades of the sixteenth century, of a new species of textual being”the serial, semifictional persona”arguing that personae from Edmund Spenser™s pastoralalter egoColin Clout to Robert Greene™s revenant ghost animated the burgeoning literary field of late Elizabethan England, enabling writers to reckon with the new forms of mediation and publicity that framed the scene of literary production and reception.
His articles have appeared in journals includingELH,ÌýModern Language Quarterly,ÌýEnglish Literary Renaissance, and theJournal for Early Modern Cultural Studiesand address topics ranging from Shakespeare™sTroilus and Cressidato the poetry of Anne Bradstreet. A long-standing interest in Milton has produced articles on the relationship between theology and narrative inParadise Lostand, more recently, on love and election inSamson Agonistes.
He is currently at work on a book on Renaissance conceptions of literary character. Provisionally titled œOne of a Kind: Character and Abstraction from Spenser to Milton,� the book examines the forms of typological thinking through which the individuating effects of character unexpectedly emerge. It considers a series of characterswhose individuality emerges not in spite of but through their perception of themselves as indefinite, typical, ordinary, commonplace”as generic rather than special.

Publications
Book
Paper Monsters: Persona and Literary Culture in Elizabethan England. Philadelphia: University of Pennsylvania Press, 2019. []
Articles and Book Chapters
“.”ÌýModern Philology124.2 (2026): 186-207.
œ.�Milton Studies67.1 (2025): 153-79.
œReading Sidney.� InThe Oxford Handbook of Philip Sidney. Ed. Catherine Bates. Oxford University Press, 2024. 797-811.
on Amanda Anderson, Rita Felski, and Toril Moi,ÌýCharacter: Three Inquiries in Literary Studies(Chicago: University of Chicago Press, 2019) and Aaron Kunin,ÌýCharacter as Form(London: Bloomsbury, 2019),Ìý³Ò±ð²Ô°ù±ðÌý54.2 (2021): 293-305.
œ.�Journal for Early Modern Cultural Studies21.2 (2021), Special Issue: œCharacter Beyond Shakespeare�: 26-53.
œ.� InPublicity and the Early Modern Stage: People Made Public. Ed. Allison Deutermann, Musa Gurnis, and Matthew Hunter. Palgrave Macmillan, 2021. 217-43.
œTautological Character:Troilus and Cressidaand the Problems of Personation.�Shakespeare Survey72 (2019): 219-33.
œ.�Journal for Early Modern Cultural Studies18.4 (Fall 2018): 100-23.
œ.�²Ñ³¢²ÏÌý77.2 (2016): 193-217.
œ.�English Literary Renaissance45.2 (2015): 175-204.
œ.�ELH79.1 (2012): 33-57.